How have the topics of women, consent, and relationships in general changed in your works during the cultural sea changes (such as the one we are experiencing now)? I ask this not only because of current events, but also because throughout all the iterations of your work, you have addressed women with adoration, irreverence, worship, disdain, respect, horror, empathy and well, the list goes on. It’s a fascinating range in general, especially for someone who seems to clearly be a supporter of women, female artists, and a bit of the misandry. (And, as a woman, it’s refreshing to have all those representations from one artist.)
MERRITT @ Issue no. 7